A Judge should possess a sound knowledge of the craft
to be judged and its technicalities; She should have a knowledge
of design and colour. She should be able to put herself
in the place of the worker in order to understand what the
worker is endeavouring to express. She should have unlimited
patience, the ability to word the criticism so that it does
not hurt or offend, the courage of her convictions, and
reasons for all her conclusions.
You cannot judge accurately and fairly unless you have
done work on the craft yourself. Only in that way will you
know how well a difficulty has been overcome, how well the
techniques have been used and how the work may have been
improved. You must never make a criticism without knowing
how the mistake could have been avoided.
A Judge should always be punctual.
A Judge should take with her the Show Schedule, which
should have been sent to her in advance, and which she should
have considered carefully before coming to the Show. She
should have with her a notebook, a pencil, an india-rubber
and a tape measure. If a pattern is set in any of the classes,
this should also be sent to her in advance, and she should
study it so as to know what to expect.
A judge should read the specifications of each class
before judging it, and, where necessary, disqualify work,
which does not conform to specification. She should remember
that much time and pains have been given to the pieces of
work, which she is judging, and therefore she should examine
each piece carefully, even if she knows it cannot come into
the prize list. She cannot write a good criticism or be
helpful to the worker unless she has given individual attention
to each piece of work.
The Judge should write a general report of the work judged,
and an individual criticism of each exhibit is most helpful,
if time allows, as it shows the worker where she is good
and where she failed. This should be done with the greatest
care, and criticism should be constructive rather than destructive
in character.
A JUDGE SHOULD REMEMBER THAT HER PERSONAL PREJUDICES
SHOULD NOT BE GIVEN UNDUE WEIGHT.
The universal marking system should be used for every
craft. When every item is judged on its own merits, without
reference to any other article, then placings are automatic.
This is also the only satisfactory way of judging an 'Any
Craft' class.
Each item is marked out of 20 as follows:
Design and
Use of Colour - 4
Suitability of Materials - 3
Workmanship
Techniques, Finish and Presentation - 10
Degree of Difficulty - 3
A mark should be deducted once for a particular fault
- not every time the fault appears.
Design and use of colour: Item should be fit for its
purpose, It should be pleasing to look at and handle. Consideration
should be given to shape, scale, balance, texture, proportion.
Colour schemes need to be compatible giving variety and
harmony. You must not be influenced by personal colour preferences.
Suitability of materials: Materials should be appropriate
for the design and intended purpose and show the workmanship
to best advantage. Accessories and trimmings should be compatible
in size, weight and quality and should be appropriate for
decorative and practical needs.
Workmanship Techniques, Finish and Presentation: Items
should show the candidates skill and ability in the required
techniques. Textile items should be unused/unworn. Work should
be clean and carefully laundered. Where appropriate any
dampening, blocking, pressing should have been correctly
done. Framing and mounting are important in presentation,
where applicable.
Degree of Difficulty: This is where a maximum of 3 (three)
marks can be added on to reflect the degree of difficulty.
Finally - be fair and remember you must be able to justify
any marks deducted. Keep thinking how you would like your
work to be judged!